Matrix font history fontstand4/20/2023 ![]() Yes, we hope to attract new audiences for our paid font rental service, but the writing will be not limited or driven by business interests. Instead of being restrained by a struggling publishing model based on advertising, this channel would encourage debate about type without any external interference, free for the readers, and with a broad worldwide network of contributors and editors, who will be paid fairly for their effort. As a result, we formulated a plan for a new channel which would allow precisely this. We very much missed our discussions and so tried to think of alternatives that would facilitate in-depth discourse around type design. In fact, we were in the middle of planning another conference last year, when the pandemic brought that – just like everything else – to a halt. ![]() In 2018, we started organising annual international type design conferences, which gave us the opportunity both to interact with the local audiences and to take part in informal discussions with Fontstand partner foundries. Many sites from previous decades may still be online but no longer publish new content.įontstand was initiated as a community project to rethink established models for working with type, and from the very beginning we valued meetings as a fruitful way to spark an exchange of ideas about the state and future of type design. Blogs publishing thoughtful material about type have become rarer. Over the past two decades, several print publications have gone out of business. At the same time, more educational opportunities are emerging and more type releases are being produced than any time in history, and so it is somewhat surprising that we are encountering less discussion about type now than ever before. ![]() Type design is attracting more and more people of diverse backgrounds and various geographic regions. More than 30 Fontstand partner founders met at the Fontstand Conference in Zagreb, Croatia.
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